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Parallel Mothers is still definitely an Almodóvar film it has its share of rainbow-hued costumes and stylistic winks to the audience that let us know we’re not looking at something exactly like real life.Ī truly inspired emotional roller-coaster of a score by Alberto Iglesias runs through almost the entire film that would give any Bette Davis movie a run for its melodramatic money.
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Both women fall in love with their babies, as women have done since time immemorial.Īlmodóvar has always known how to deliver an entertaining cinematic ride, but his mature films plumb emotional depths none of the converts to his early films - Women on the Verge of a Nervous Breakdown, for example - ever anticipated. It will work out, you’ll see, Janis reassures her. Her father has sent her away to Madrid to avoid scandal her mother will abandon her to take the dream acting job she has craved since her own reluctant motherhood obliged her to forget her own ambitions. Penelope Cruz Calls Pedro Almodovar 'My Safety Net' As Star & Director Discuss 'Parallel Mothers' - VeniceĪna (Milena Smit) is still a teenager, traumatized by her own pregnancy and her parents’ rejection. Her lover is married and conception was very much an accident, but she is thrilled. For Parallel Mothers, she plays a notable, wealthy fashion photographer, named for Janis Joplin by her hippie mother, who discovers she is pregnant at the age of 40. Cruz, in turn, is always at her formidable best under Almodóvar’s direction.
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Almodovar’s women are tough, maternal, vibrant, competent and ideally played by Penélope Cruz. We’re back in the kitchen with Pedro Almodóvar and his beloved Spanish women, which is always a pleasure. Has nobody told her there are 100,000 bodies buried in Spanish ditches? Doesn’t Ana understand that these people are victims of a war that will never be over until they are found and given decent burials? A few moments earlier, Janis was explaining to Ana how to make the perfect tortilla: slice those potatoes as thinly as possible, in case you’re wondering. “You need to know what kind of country you’re living in!” Janis snaps at Ana - the much younger woman who shared her hospital ward when she was giving birth - in Parallel Mothers, the Venice Film Festival’s opener.